August 31, 2008

The Original Airwair with Bouncing Souls




Doc Martins are probably one of the most nostalgic brands that I personally identify with.

I was glad to see that they are undergoing a new website design.

Check it out here.

I just picked up a new pair of Vintage 1460 8 eyes, I opened the box and saw a postcard inside and it seems that DM has adopted the word "Freedm" as its new moniker.

I think we all know how I feel about Freedom.

Freedom + Partners


You can still see the old site here.

Its nice to see a brand stay true to its roots. DMs are one of the few things you can take with you through this crazy world, they are timeless.

So enjoy some FREEDM and get back into a pair of the worlds coolest shoes.

Rerun Richochet



This has been the year we have seen the big networks all swallow their prides and finally accept the web as a viable means of delivering content to its loyal viewers.

Content on demand, when we can fit it into our busy schedules and content that isn't some user generated crap.

Networks like NBC pretty much giving us whatever it is we want to watch on both its network as well as Fox via the online network called Hulu.com. Not just shows that are running now but also past shows that may have not hit the rerun circuit but that can draw advertising dollars and provide nostalgic injections of some old favorites.

Today I had noticed something really interesting, the old WB network, which in my day was simply Channel 11 and Channel 9 in NYC, which is now called CW Network which runs on two channels, I think, has resurrected its former incarnation of The WB online.

The WB began its life in 1995, broadcasting a paltry 2 hours of cheesy teen entertainment one night a week. The WB's first shows were mostly sitcoms targeted at an ethnically diverse audience. Even though four of the five shows shown in the netlet's first nine months (The Wayans Bros., The Parent 'Hood, Sister, Sister (picked up after being cancelled by ABC), and Unhappily Ever After) were renewed beyond the first year, none of them made a significant impact on anything.

The WB began programming on Sunday nights in the 1995-1996 season, but none of the new shows managed to garner much viewing interest. Still, the network continued to expand in the 1996-1997 season, adding programming on Monday nights.

That season gave the WB modest hits in the family drama 7th Heaven and comedies The Steve Harvey Show and The Jamie Foxx Show. We all know where Jaime Foxx is now.

The WB also added the Kids' WB programming blohttp://www.blogger.com/img/gl.link.gifck in 1995, which mixed Warner Brothers' biggest hit shows (Tiny Toon Adventures, Animaniacs and later Batman: The Animated Series, all of which originated either on Fox Kids or in syndication) with new productions and original shows.

In 2006, CBS and Warner Bros. Entertainment announced plans to can both UPN and The WB and launch a new network, The CW in their place. Over the next nine months, it was to be seen which shows from UPN and The WB would cross over to the new CW, as well as which stations across the country would become future affiliates of the new network.

A slice of time has now been captured online. Our beloved web is now a time machine for those who want to revel in an hour of Friends and then some Buffy The Vampire Slayer.

In an unprecedented and in my opinion a genius strategic play, The WB, an entire network, has been reincarnated online.

Click here for a preview.

The web is the new wild west, a frontier, a place where media can be reinvigorated and where anyone can now start an online network of both original content as well as content that once held the hearts of millions of viewers.

It is the new Rerun Model.

Networks will be salivating over the ability to recreate a slice of time that was wildly popular.

Imagine the old NBC line up featuring the Cosby Show, Family Ties, Cheers, Hill Street Blues and Miami Vice coming back to life online.

The late Brandon Tartikoff would have been proud.

Now shows can be rebroadcast in a multitude of various formats. We can now enjoy the television that has shaped pop culture anytime we want. The strength this garners the web is unfathomable.

The web is now a new fertile landscape where the old is new again and where slices of time can live always.

A true monument to mankind. Buffy will never die!

August 27, 2008

Travelling Matte


I am on the set today, shooting for a new site we are working on at Freedom + Partners.
Shooting on green screen is always fun.

August 25, 2008

Sexy People



I'm not quite sure what it is about this site but its incredibly inspiring.

Perhaps the beauty of the common man or the true'ness that emanates from every picture.

You just cant capture this unless its real and that is what makes it so damn interesting.

Every picture floods my head with ideas of how to better communicate ideas in different ways, all based on the facial expressions, clothing choices, lighting, couplings and every other odd little nuance that each picture offers.

I am very addicted to and extremely inspired by the pictures on this site

Check it out here: Sexy People

August 24, 2008

Why is it...?



Has Crispin lost its mind?

Has Microsoft gone mad?

Is Jerry Seinfeld crazy?

What is going on here?

How much more desperate can Microsoft get?

What means will they employ this time to plug the gaping hole in the side of its sinking ship?

I have worked on quite a few Microsoft projects with McCann SF and TAG so I feel like I can speak on this subject.

McCann SF was one hell of an agency that really worked hard to prolong the inevitable death of Microsoft. There was nothing more McCann could have done to keep the Window from breaking, and it looks like Crispin just threw a hardball right through it.

Windows Vista is a flawed product, computer companies everywhere are moving away from windows and looking for other ways to compete with Apple.

OS X is continuing to win over new users by the day due to the virus strains called iPodinae & iPhonesvirinae that has infected the public.

Point Number 2:

Doesn't any one remember the Mac in every single episode of Seinfeld?

Watch any episode, I dare you, you will find a Mac in the corner of Jerry's apartment nearest to the window on his desk in every single episode.

Jerry was not only a Mac owner but Jerry was an early adopter, he always had the absolutely newest model including the 25th anniversary issue.

How the heck is Crispin going to spin this one?

This was the year we see Gates retiring, its no wonder, the man is not an idiot, with the world clamoring over their precious iPods and iPhones it was no surprise that we have now entered into the "Switch Age" where the once mighty Windows once ruled is now a depleted creatively challenged office thirsty for some sweet titanium casing and that playful dock at the bottom of the screen. No more anti virus software and less crashing.

Apple's market capitalization is at nearly $162 billion. This means Apple is surpassing Intel, valued at $155 billion and IBM at $157 billion. Thus, Apple is rapidly closing in on Google ($200 billion), perhaps Jerry will be the one to help Apple get closer to the "mighty" Microsoft, valued at $290 billion.

I say let Jerry end his career as the hypocrite he will look like while peddling the flawed Windows Vista.

I nominate Larry David as the lovable idiot who should go head to head with Jerry and endorse the Mac. After all its his success that has carried on while Jerry rots in Vegas.


Why do they call it a "building"? It looks like they're finished. Why isn't it a "built"?

Maybe Jerry should use that routine in his new Vista commercials.

August 18, 2008

One Two Punch!



The ad business is full of duos, teams of creative assassins who together come up with the one two punch that cannot be matched by any ad hoc group or single individual. A duo can tag in and out and can take on any challenge each drawing strength from one another.

During our days at Firstborn we both looked for and found such people and we killed em one by one.

None of these phonies...

Mario and Luigi
Han Solo and Luke Skywalker
Bert and Ernie
Batman and Robin
Jay and Silent Bob
Pinky and The Brain
Ren and Stimpy
Cheech and Chong
Frodo & Sam
Beavis and Butthead
Jules and Vincent
Wayne and Garth
The Lone Ranger and Tonto
Simon and Garfunkel
Wiley E. Coyote and Road Runner
Mac and Cheese
Steve Jobs and Steve Wozniak
Green Hornet and Kato
Shaggy and Scooby
Bill & Ted
Napoleon dynamite and pedro
John Masterson & Steven Sundheim
Knight Rider (KITT & Michael)
Starsky and Hutch
Andy and Barney
Thelma and Louise
Calvin and Hobbes
Chris Farley & David Spade

...have anything on Craig Elimeliah & Tim Nolan

Back for more!

Watch out!

I want to welcome and old friend and a true partner Tim Nolan to the Freedom + Partners team. He has come on as Executive Content Director and is going to tear shit up!

Good to have you back!

August 6, 2008

A Barbarous Truth



Rick Webb over at The Barbarian Group is one of my favorite industry personalities. On the heels of the Michael Lebowitz comments that were circulating around the industry regarding his Cannes experience and the lack of credit for the HBO Voyeur project.

Rick's comments are here.

Rick chimed in and added his 2 cents to the story and I had this to say about his response...

"This is one of the best responses that I have read from a legitimate source and someone who I would actually consider a real voice on this subject. You hit every point spot on and drove home the real issues that are at hand. As digital partners we are only a single entity in a much bigger picture. We are obviously biased towards our discipline and I am sure the media buyers would chime in a say "well no one would be at your damn site if we didnt throw out 2 million banners to drive traffic so we should get the credit" and so on...

I believe that as an industry that is going through the growing pains of a new medium and as the new kids on the block we need to become a more cohesive group of creative professionals. An idea is never the child of one single person, its an entity that is comprised of the pasts and presents of a collective of creative individuals who have all breathed some life into the idea. We cant single out any one contributor as the only creator unless it was a one man show that made it all happen.

It really boils down to a very fundamental rule we all learned in pre-school. Playing nicely and sharing. Egos are rampant in this business and those who can set aside their egos for the betterment of the idea are the real winners here. No slab of metal fashioned into a lion is worth the strife that our industry has be thrown into, the unity has been compromised and we have been set back because of some petty ego stroking.

Credit is always a nice thing to get, but at the end of the day the check you get is really the only credit any one company can give another, being paid fairly is above all the farthest anyone needs to go. Once we all get past this and start refocusing on the big picture then maybe we will all make it a point to be more sensitive to our respective roles and spread the love a bit more.

This is not a new subject and has been infecting the creative process since the dawn of time. Who did this? Who discovered that? Did the captain of Columbus's ships throw a shit fit when the King and Queen noted Columbus as the founder of the new world? Probably.

I think we all need to take a good hard look at ourselves and keep in mind that we are at a critical stage in the convergence of a new medium with age old traditional advertising and that right now there is no time to bicker over small issues when much larger ones prevail."

August 3, 2008

Earnstwhile



In 1991 one of my heroes came up with this idea to gather together the best musicians of the ALT rock scene and have this great big ol' outdoor concert. At the time us wee kids only heard of concerts like this from our baby boomer parents who hazily passed down stories and sometimes pictures from the historic Woodstock.

We were the perfect market to start this up again, the seed was planted and we all would readily make the same trek as our parents did to some outdoor alternative rock mecca to pray for three days on drugs and rock and roll.

Jane's Addiction, Nine Inch Nails, Siouxsie & the Banshees, Ice-T/Body Count, Living Colour, Butthole Surfers and The Rollins Band.

Back then that line up would have brought peace to the middle east.

Its pretty early on a Sunday morning, I am as always awake with ideas swirling, I'm online making my rounds, round, rounding the corners of the globe and I come across a banner ad for what I thought had ended in 1998.

Lalapalooza is back except this banner ad wasn't to come make some trip to some field to tune out for a few days... rather it was telling me that they didn't actually expect me to make it and that I should be tuning in ONLINE!!!

Do I feel old? NOOOOOOO.

Ok yes.

The web page I ended up on said this...

"Tune-In To Lollapalooza Live On the Web
Can’t make the trip to Chicago for Lollapalooza August 1st-3rd? Never fear, blue room is here. Experience Lollapalooza LIVE via webcast just by turning on your computer. Mark your calendars now! Tune in to watch Wilco, The Raconteurs, Love and Rockets, Bloc Party, G Love and Special Sauce, Flogging Molly, and many, many more!"

Like most smart businessmen in this capitalistically ravenous country, Farrell sold the Lollapalooza brand to Capital Sports & Entertainment. The concert was revived to become a two-day fest only to remain in one location, Chicago's Grant Park. The concert actually relies on the web to stream it to the world.

THE WEB!

Ok maybe I have geeked out completely but this is a profound cultural swing. The web is now a venue for concerts, not just any concerts but big ones, those summer ones that change your life, the ones that evolved from Woodstock to free us of our addiction to pop music and usually ended up with an addiction to something totally new, and bound us together in the darkness and angst of Alternative melodies as we were soon thrust out unto the world to start our lives.

I'm in my very early 30s and I am ranting like a geezer here.

The web has accelerated time. We have built a time machine except it progresses culture, information, music, arts, education and if you don't keep up, your gonna be left behind.

July 28, 2008

Dont You Forget About Us...



Today's FWA winner is North Kingdom!

I love these guys, they did Get the Glass! They are legendary when it comes to web development and design. Probably one of my top 3 favorite shops. But today's execution kind of surprised me .

I didn't think the site execution was all that great. The video was kind of so so and I am sure that was done in the States. But the site lacked a certain love and appreciation for the American pop culture iconic movie that The Breakfast Club is, especially one that is so dear to so many people.

The Breakfast Club is an American movie that has, good or bad, literally shaped a generation.

What American teenage guy didn't secretly adore Claire?

What American kid wasn't saying EAT. MY. SHORTS for like two years after this came out?

This is a slice of Americana. I may be sounding like good ol' John Bender when I say this but - THIS BLOWS!

I really think an American shop should have won this gig.

Saatchi did everything right except for one small detail. They hired North kingdom to execute this thing.

If it were anything else like American Milk, oh wait forget that... yikes... ummm

... Horses Running through the English country side then I would say North Kingdom is the BOMB!

But something as American and as wholesome as Milk, yikes scratch that, I mean The Breakfast Club should be done on American soil.

Wow I never thought I would be ranting about this but it just feels weird to see that remake and an foreign name attached to its creation.

I felt the site lacked a certain pride, a certain nostalgic flair, a certain, "like totally!" Or as Claire (Molly Ringwald) would have said "You wouldn't know. You don't know any of us."

North Kingdom, you guys get tons of respect however I am sorry but you did not do justice with this site. Probably not your fault, all the way out in North Yorkshire tucked away in the Humber region of England its hard to have captured the subtle "Bender" nuance.

JCP should have also insisted that an American shop like Big Spaceship or a former JCP vendor Firstborn or OH WAIT!!! I KNOW! maybe a shop with a really patriotic name, something like Freedom!!

Ok I know i went too far with that.

Not saying anyone did anything right or wrong, just wanted to vent that this could have been done better by the nation it so greatly had an impact on.

July 18, 2008

iPhone Vs. iPhone


Remember when back in the day (1981 - 1988) the Voltron toy craze, those 5 awesome die cast metal lions that formed this super mega robot that would kill anything it went up against?

There were two kinds you could buy, the $300 dollar die cast metal, weighty, version or the $75 dollar hard shiny, light plastic version.

The metal felt great in your hands, its weight commanded respect, it was almost a weapon.

The plastic often didn't snap in right, was always so flimsy and you never felt like Voltron couldn't even trample your old Smurfs.

Leah got the new white, shiny, plastic white iPhone 3G.

I have the original, heavy, titanium iPhone.

July 15, 2008

Hear No Evil, See No Evil



Its rare that a site simply blows my mind, when an execution is so well formulated it just screams SMOOTH!

I yearn for inspiration and when tons of sites launch each day its difficult to find greatness within the haystack called the web. I found one today, a new site for Ikea developed by Forsman & Bodenfors.

This site uses video and sound perfectly synchronized, the design is playful and fresh and this site truly represents creativity and innovation and interactive at its best.

Simple, clean, fresh and inspiring, perfect! Awesome work Forsman & Bodenfors!!

Check this out here

July 9, 2008

The Writing On The Virtual Wall



The speed of the internet is blinding.

Our industry accelerates faster by the day.

As soon as 2.0 took off and the commitment to standards, layout, cleanliness and integration with web apps became all the rage, it burned itself out like a supernova.

Well, I always wondered what that day would look like when you wake up and things are suddenly different.

Today is that day.

Red Interactive had put out a site with multi user avatars and chat enabling live social interaction between people online, live, in real time, where you can talk, play, kick, punch, laugh, exchange goods, befriend, and lots of other cyber-things.

It was cute, won tons of awards, really put them on the map.

It was a precursor to what we are about to see everywhere.

Websites driven by people, live people, all assuming various personae, playing games, chatting, interacting, exchanging ideas, virtual products, and anything else creativity can conjure up. Oh did I mention they can all do this at the same time!

I wake up today and I read an article that Google is now entering this ring of live online interactive social sites a new service they call Lively.

Then i go over to the www.thefwa.com and low and behold, the site of the day is none other than a live, multi user interactive avatar chat and game site!!! For Slim Jim!

I was blown away, today is one of those days where you wake up and everything kind of shifted from gear 2.0 to gear 3.0 and will never be the same.

In a way I am happy.

Stay tuned for more in depth coverage of 3.0

July 6, 2008

Passing Notes in Class



New platforms for creativity are popping up everywhere, everything is coming alive.

I feel like its the end of a lush spring season where everything is blooming and filling our space with fragrant beauty, bleeding colors everywhere.

The onset of a summer full of growth and ingeniousness, ingenuity and originality.

Look around and you'll find new spaces all the time.

July 3, 2008

Co-Dependance Day



July 4th, the official kick off of the summer season, when things heat up and slow down.

The city empties out like a Jr High School fire drill and folks like me who choose to vacation in the desolate metropolis I love, get to have some peace and quiet with Miss NY for the weekend.

I am sitting on a bench on 84th street and central park west. Tons of free Wifi here, strong signals.

Before I made my way to the bench I was walking down the street tapping away at my iPhone emailing co-workers. A jogger, also distracted, and I collide, just a bump, but enough to startle the shit out of one another.

I almost drop my phone and as I'm juggling it from falling, I see a big smile framing a gap between two front teeth and I stand back and take another look and its Morphius from the Matrix, and for a split tiny second I was instantly prepared to swallow the blue pill. A very weird mental crossover occurred that for a single moment took hold of me.

But alas just another celebrity enjoying the peace and quiet of the city, we say our apologies and move on, no Matrix for me, bummer, but for a second, I was fully prepared to go engage in some combat training.

Anyways, its a beautiful day, there are like 50 live wifi signals here, the breeze is gentle, the coffee is iced and I am about to go meet some friends later for Karaoke.

Its a great way to start the summer, tons of awesome work ahead next week and a mini vacation in-between.

Happy 4th of July!

Independence is lonely, celebrate unity and love!

Peace!

There is a Time and Une Saison


"Television has officially thrown its hat into the virtual ring. It is "la saison de television Internet"."

Check out my latest observation over at The FWA.

June 30, 2008

My Two Cents



Credit has been a topic that has been long looming over the interactive industry for sometime now.

The traditional agency and digital agency relationship has blossomed into a full blown collaborative marriage and the lines of vendor client relationship have been blurred to look more like full on creative collaboration.

My gut instincts tell me that the topic hasn't been fully addressed until now because in many cases it is really not that big of an issue when you boil it down to the root of why credit is so important.

At the end of the day its not really a deal breaker between either client or digital vendor.

This is an issue that needs to be evolved more than it needs to be solved. Similar to the way Hollywood shares credit when awards are doled out for best picture. The CG team doesn’t come up for the award, MAYBE they get mentioned in the thank you speech but that is definitely not to be expected and if they aren't mentioned there isn't some big press release as to why or why not. They get their own award for technical achievement in some secondary award show that isn't televised.

Again this debate only exists in the very ego-centric realm of recognition, awards.

At the end of the day its about doing great work and feeling great about the work that we do. Its about creating something positive for our culture and work that advances us as an industry.

Unless the project is simply amazing and the budget is paltry, credit can sometimes be a factor in making the decision as to the worth of taking the project on or not.

Sometimes a PR project comes along and its not about the money but more about what kind of amazing things you can do with the brand and showcase your studio’s skills using the brand as the stage. In that case credit is critical and needs to be negotiated at the onset of the project. I cannot remember a single case where we turned down good money on a project where the client absolutely refused or simply could not give credit where credit was due.

I have personally produced a number of great projects that have won awards but will never have my name or the name of the shop I was with associated with its credit.

Its not entirely a bad thing.

Humility sometimes rears its awkward face in times when its hard to be humble, and maybe its a lesson we must embrace in order to not lose site of the big picture. Great work, regardless of accolades and awards.

There is rarely a case where a digital shop didn’t get public credit but couldn't show the work to a potential client or agency in order to get new work. Even if they aren't allowed to list it on their website portfolio it can still be part of an internal presentation for business development.

At the end of the day the level of credit should be equal to the overall level of involvement with any given project. A digital shop cannot expect to receive full credit for executing an agency’s vision, regardless of how awesome the digital execution is. But if the digital shop DID indeed conceive the idea or alter it enough for full credit to be given, then that is the case in which the agency needs to step up and give credit where it is due.

Most digital agencies and 14 year old kids can build a simple web site, only a select few can build a website exceptionally well. Even fewer can conceptualize, script, shoot, frame 3D, and produce an entire campaign without the ideas and assets (footage, copywriting, etc.) that the traditional agency delivers. So no matter how important the digital shop was in the execution, the efforts put fourth by the traditional agency cannot be ignored no matter how minimal because ultimately it is a vendor client relationship where the traditional agencies are delivering a product that will determine if they keep their clients business or not.

We need to all understand how symbiotic this new dynamic is and be sensitive to every collaborator when it comes to credit so that we all win in the end.

This kind of public strife shines a negative light and doesn’t help the advancement of the shifts that are taking place one bit, resistances are natural and healthy but need to be overcome in mature and fair ways.

We need to all play nice.

Lebowitz and his shop Big Spaceship should have gotten mention from BBDO and had their efforts recognized during the acceptance speech or in some print ads thanking them for all they contributed. BBDO deserves the award for collaborating with Big Spaceship on this website and having the wisdom of knowing that only a top notch digital shop could have pulled the site off as well as they did.

We need to evolve together and share the praise as well as the criticism of our industry and be a more cohesive network of creative professionals.

June 29, 2008

Big Mouth



Friends and close industry folks have asked me to comment about the recent statements made by Big Spaceship CEO, Michael Lebowitz at Cannes regarding the HBO Voyeur project his company collaborated on with BBDO.

As someone who works in, and closely monitors, our industry I felt it was an important enough topic to deserve a blog entry.

In my humble opinion this is probably one of the most important and hottest topics of this year.

Let's set the scene:

A steamy, sultry, passionate French summer in Cannes, the worlds most creative minds attending the Oscars of the ad industry, hotels, bars, clubs, halls, streets, teeming with ad agency brass, hungry and rabid for that Golden Royal Feline set in their cross hairs and waiting to poach it up for their shelves back in NYC.

Emotions are on high, the competitive fierceness has been unleashed.

A year wrought with anxiety and fear of the silent industry tectonic shifts between traditional and digital, causing all kinds of eruptions across the creative landscape.

Each side battling for dominance in this lavish world of shiny and technologically polished ideas.

France, the country of love, emotion, heartbreak and despair.

The place of ex patriots who have fled their home lands in order to find themselves through the eyes of a country known for its outspoken rebelliousness and uprise.

Thoughts weigh heavier in this French air, much harder to keep to ones self in the midst of competition.

A judge, Mr. Lebowitz, sitting on high looking down at the piranha snapping at the prize.

Reality kicks in as he watches someone else walk away with his prize, that coveted Lion is being carried away farther from its source, the shop who toiled to earn its merit.

Michael Lebowitz, CEO of well known digital shop Big Spaceship, the creators of the website that took home top honors at Cannes this year. As he sits at the judges table, seething with animosity and disdain for the lack of fairness being displayed right in front of his eyes.

Why not have Lebowitz himself present David Lubars of BBDO the award for the HBO Voyeur website?

Opinion versus Fact

Most industry people will say that BBDO owned the idea and they simply contracted Big Spaceship to "code it up".

Others will say that Big Spaceship took an idea that lived outside of the web and digitized it to work on the most powerful media platform known to man.

This is a topic that is going to become increasingly hotter and hotter as the internet becomes the "official" launch pad for most or all ad campaigns.

Being able to translate an idea from the bowels of a brand into the digital world completely integrated with interactivity, entertainment, illusion and inspiration is no small task. Some would say it is the most detailed and intrinsic role of any campaign today.

Voice of Reason

Lebowitz simply took that first step into the parted ocean and spoke up for what he saw as the truth. He let his emotions run free and what better place to kick up some dirt and peer into "the often uncomfortable relationships between ad agencies and digital specialists" than Cannes, France.

Like a lovers quarrel while on a holiday, Lebowitz took this opportunity to speak his mind and attempted to defend the smaller digital shops against the mighty ad agency that often times takes most or full credit for an idea born again in a digital world. Ideas that could have only been given birth to by the digital shop that was inseminated by the agency to translate their concepts on the web.

Rupal Parekh, a writer for Ad Age covering this story, enumerated this relationship in the following statement,

"Increasingly, agencies are becoming a kind of hub that marshals other resources, from digital experts to production companies, on behalf of clients."

If this is indeed the case then it should be the digital agency that walk away with the honors and the traditional agency simply patting themselves on the back for finding the perfect match to bring their ideas to life.

However, it is true that the traditional agency is the birthplace for the concept. It is the traditional agency that has won and maintained a relationship with the client and ultimately holds in its back pocket the client's trust. And it is the traditional agency that did ultimately make the decision to choose a particular shop to collaborate and execute their idea digitally.

Why should they not get all or most of the credit for orchestrating this difficult process?

I strongly disagree with Rupal Parekh. Agencies do indeed marshal resources in order to translate ideas digitally, however those ideas still remain the property of those agencies and at the end of the day it is the agency that brings the overall idea to the digital shop to execute. Ownership is never transferred.

Now don't get me wrong, I am fully behind the reasons for why Lebowitz said what he said but what I am not behind is what is seemingly being built up as a war between traditional and digital agencies.

BBDO had every right to take credit or share credit for the work, they rightfully won the awards for the concepts that they delivered to Big Spaceship.

However because Big Spaceship so perfectly executed that idea in the digital space and it was that very space that launched this idea into the stratosphere, BBDO should have made mention and even shared the honors with their partner.

It was the lack of recognition that charged Lebowitz with emotion to speak out against his agency partners, it was the blatant disrespect for the ability to take an idea and bring it to life in a totally new and powerful way that was completely dishonored here and that is where the unfairness resides.

Lebowitz is 100% correct in saying that the award shows are just as guilty for not recognizing the digital efforts put into a campaign and to award them based on those merits alone.

We as an industry need to step forward and realize that every aspect of a campaign requires a completely new set of rules in its execution of an idea and even though that idea has originated from a different source, it takes on a whole new life once it is given into the hands of those who re-birth it on the web or any other emerging platform.

No one is to blame, these are simply growing pains.

Lebowitz spoke up and I respect him for his emotional honesty and his passion for our medium.

BBDO did as they have always done as a traditional agency and simply haven't gotten used to the fact that the digital shop plays a much larger role in a campaign.

Cannes needs to get with the times and start sharing the love with everyone who plays a major role in the idea becoming part of pop culture.

Let's not create a stand off and a cold war that will only hurt the "ideas" being collaborated on. We all need one another so lets realize that sensitivities need to be met and that credit should be paid where it is due.

Lebowitz and Lubars need to get on a web cam and hug this out and be a shining example for the positive direction we all must go in.

Digital and Traditional are now tied at the hip. We are at a cross roads and we must decide on a path, it can be laden with thistles and thorns or an illuminated golden path that leads to a new age of ideas and creativity.

Let's choose carefully.

June 13, 2008

June 12, 2008

A Summer Supposition


It is now 12:51 am on a Wednesday night and my intemperate love for the web has led me down another path in which I will once again try my best to make an indelible observation that may or may not offer to shed a new light on what seems like an illimitable subject.

It is now 12:56 am and I have decided that I have way too much work tomorrow to sit here and pontificate on the cultural nuances of the internet.

Plus its really hard to think with that annoying white hum of the air conditioning, its not just my apartment, I feel like I can hear every air conditioner in Manhattan, collectively churning out that cool dehumidified thermal comfort.

NYC seems to get into character in the summer time.

The sweltering heat is so indicative of the NYC persona this time of year.

NYC in the summer is a tall, slender man in a gray suit. Worn out at the limb bends, pilled and sweat stained, smoke stenched jacket hanging over the back of his broken leather chair.

His lady bent sideways hips and hoops, draped over him, hot as asphalt.

His cup filled with hops, scotch and ash.

The winning pitch, the big idea, just above his head like a brumous cloud settling upon that bridge to Brooklyn.

His eyes carry a crepuscular charisma, his hair less kept.

Deep in thought he sells his soul to the devil, for conjecture.

But then again conjecture sells...

OK its 1:17am and I think I have satisfied my desire to write.

Not sure I said anything, or that I really needed to say anything, just felt like acknowledging the heat.

Data Viz Update



As a follow-up to my article on data visualization I wanted to point out that Read Write Web has one of the most comprehensive data visualization lists I have ever seen.

Really impressive and one well worth studying.

Thanks RWW!!

Check it out here